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Other NamesGrosvenor Chambers , One Collins Street , No. 1 Collins Street , 9 Collins Street , 5-7 Collins Street Location5-9 Collins Street, 53-57 Spring Street MELBOURNE, MELBOURNE CITY
File NumberB7689LevelState |
What is significant? 1 Collins Street is a complex of buildings made up of a 1984 office
tower, the retained frontages of Victorian terraces at 5-7 and 9
Collins Street, and the 1877 Campbell House on the corner of Spring
and Collins Streets (listed separately on the VHR H1945 and not part
of this registration). The 1984 tower is massed to emphasise the corner site and address a
city vista. The two main faces step forward slightly in three
successive sections, and each section rises up one floor creating a
corner tower effect, topped by an open belvedere above the 17th floor.
The tower has an 8 storey portion built to the Spring Street frontage,
topped by a roof garden, while the main tower is setback about 15m on
Spring Street and 9m on Collins Street. The tower is clad in pre-cast
grey rough faced cement panels incised with a square grid of scored
lines and inset with square mirror- glass windows. The windows along
each of the top levels, and up the corner bay of the tower for most
its height, are recessed, while the rest are flush. Entry to the tower is through a vestibule made by opening up the
ground level of the terraces at 5-7 Collins Street, then through an
atrium space under a portion of the tower, to reach the central lobby.
The atrium is partly open though a space between the tops of the
retained buildings and the underside of the 6th level of the tower.
All surfaces of the lobby feature square grid-lines, including
panelled walls and ceiling , the columns, and the mottled white marble
floor, where nine central marble stools cast a diagonal 'shadow' in
darker grey marble. There is a second entry via stairs on Spring
Street in a gap between the Campbell House and the lower portion of
the tower, which features a central inset convex glass-walled bay. The
ground floor of 9 Collins Street is occupied by a shop with a 1984
reproduction of the original Victorian shopfront. The retained
frontage of the terraces at 5-9 Collins Street is a series of
self-contained office spaces at the first and second floors, accessed
from curved stairs off the atrium. The development, designed by the emerging firm of Denton Corker
Marshall, in association with Robert Peck YFHK (Yuncken Freeman Hong
Kong), was announced in 1981 and completed in 1984. The Campbell House, was built in 1877 to a design by architect
Leonard Terry, purchased in 1901 by the Commonwealth Government in
1901 and housed Australia's first Prime Ministers (VHR H1945). The
ornate arcaded three storey terraces at 5-7 Collins Street were built
in 1884, designed by Lloyd Tayler, and used as professional suites and
residences. The building at 9 Collins, Grosvenor Chambers, built in
1888, was designed by Oakden Addison & Kemp for C S Paterson, of
the famed Patterson Brothers interior decorators, whose office was
located in the ground floor in the 1890s. The top floor contained
purpose-built artists's studios, which were home to many notable
Victorian artists such as Tom Roberts, Arthur Streeton, James Condor,
Sir John Longstaff and Charles Summers, and in the 1950s, the home and
studio of Mirka Mora and family. In 1971, the State Government swapped Tasma Terrace for the Campbell
House, which was then bought by Colonial Mutual Life, whose demolition
permit in 1972 was thwarted by a 4 Union ban. In 1975, the south wing of the Campbell House was
demolished, and a plan for an office tower replacing occupying that
area and replacing 5-9 Collins Street was proposed, generating
protests from the National Trust and others. In 1980 the site was
bought by Singaporean developer Jack Chia, who announced a development
retaining the Campbell House and a 9m (or one room) depth of the
Collins Street terraces, with a tower rising behind, a compromise
accepted by the major stakeholders. 1 Collins Street, as it became
known, was completed in 1984, and has undergone few alterations to the
exterior or the foyer since then. The development was soon hailed as a significant work, garnering a
number of awards from the Victorian Architects Institute. In 1985 it
won the Victorian Architecture Merit Award for new commercial
buildings, and the next year it won the inaugural William Wilkinson
Wardell Medal for the best building of the last three years, and in
2011 won the Enduring Architecture Award from the Australian Institute
of Architects (Victorian Chapter). How is it significant? The building known as 1 Collins Street is of architectural and
historical significance to the State of Vitoria. Why is it significant? The 1984 part of 1 Collins Street is significant architecturally as a
fine example of Postmodern design, and was one of the first
large-scale commercial buildings in Victoria designed using the
principles of Postmodernism. In a distinct break from the principles
of modernism, it is a well-mannered intervention into a sensitive
historic context, by using traditional features such as grey textured
wall material, deep set windows, and a subtly stepped plan and boldly
stepped profile building up to a prominent corner tower element,
addressing an important city vista. The use of square grids as an
ordering and decorative device is a leitmotif of Postmodernism and
especially the work of DCM. All of these attributes were in stark
contrast to the prevailing expressed structural grids or glassy
curtain walls of late 1970s/ early 1980s Melbourne office blocks. It
is widely regarded as an innovative and influential project, which
received considerable attention in the architectural press and was the
recipient of several major architectural awards at the time and more
recently. (Criterion A, E and F) It is also significant as the first in a number of ever larger and
more prominent commissions for the firm of Denton Corker Marshall,
then at the forefront of architectural experimentation, and which
became a highly regarded international firm by the 2010s. (Criterion
H) The facade of 5-7 Collins, designed by noted architect Lloyd Tayler,
is architecturally significant for the variety and inventive use of
finely executed architectural ornament, executed in artificial stone.
(Criterion E) Historically, 1 Collins Street is important as the final result of a
long campaign to preserve the historic architecture of the site, and
the character of the precinct, part of a wider campaign to save what
was left of historic Collins Street that was waged in Melbourne from 5 the mid-1970s to the early 1980s. It was amongst the very first
developments to introduce the concept of the preservation of the front
portion of heritage buildings, while allowing for new high-rise
construction behind. While not seen as ideal by all parties, this was
a seminal compromise approach that was subsequently used on many CBD
projects. (Criterion A) The retained portion of 9 Collins Street is historically significant
as the only remaining part of a building that included a whole floor
of purpose-built artist's studios, occupied by many notable Victorian
artists from the 1880s into the 1960s. The preserved top floor studio
is significant for retaining its south-facing sawtooth roof.
(Criterion H) EXTENT: All of the building known as 1 Collins Street, incorporating the
whole of the interior and exterior of the retained portions of 5-7
Collins Street and 9 Collins Street, and the exterior and ground
floors lobbies of the 1984 construction.
Commercial
Commercial Office/Building