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Other NamesST HILDA'S HOUSE , ST HILDAS HOUSE Location1-19 CLARENDON STREET EAST MELBOURNE, MELBOURNE CITY
File NumberFOL/15/14025LevelRegistered |
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What is significant?
St Hilda's was built in 1907 by R S Phillips for James Griffiths. The
architects were Ward and Carleton. Griffiths had migrated to Australia
in 1873 and founded the successful tea business of the same name. Both
Griffiths and his wife were committed to Christian missionary work and
in 1902 Mrs Griffiths was appointed President of the Women's Missionary
Council. Almost immediately the house was completed it was given in
trust to the Christian Missionary Society to become a Church of England
Missionary Training Home.
Missionary zeal was still an important component of the Anglican faith
at the turn of the twentieth century, and missionaries trained at St
Hilda's could find work in many parts of Asia, as well as at Aboriginal
missions in Victoria and other parts of Australia. In 1907 it seems that
St Hilda's was used exclusively for training women missionaries, as a
separate facility for men existed in North Melbourne. When St Hilda's
was finished in 1908 the Sister-in-Charge was Miss Clara Odgers, and
three women were accepted for training. Thirty-three missionaries were
already working both overseas and at the Aboriginal Missions at Lake
Condah and Lake Tyers.
In the 1930s the house changed use to become the St Hilda's Church of
England Deaconess House. In the 1960s it was sold and converted into
apartments. From 1982 until 2001 the building was an office of Bates
Smart, architects. Bates Smart restored the house, retaining much of the
original fabric and fittings, and researched and reproduced the original
paint scheme.
St Hilda's is a two storey house constructed of red brick relieved by
panels of terra cotta with large areas of the exterior of the first
floor covered in roughcast. The building possesses elements derived from
the English Elizabethan, Romanesque and Norman periods of architecture.
Half-timbered gables, arcading and cushion column capitals express these
influences, whilst the corner tower with its flared eight sided spire
and walls and the roof terracotta grotesques (eg eagle) are typical of
the grander so-called Queen Anne style residences of the Federation
period.
Internally the British Arts and Crafts movement inspired the tiled
mantels, foliated leadlight patterns, fretted decorative trusswork and
stained timber wainscotting. Extant elements include the linoleum floor
in the hallway; the main bathroom, complete with pressed metal dado,
glazed tiling, bath and washbasins; the built-in linen cupboards at the
top of the rear stairs; and the stencilled Evangelical inscriptions on
the walls of the dining room and reception room.
A modern two storey rear addition with open-plan studio space is linked
to the main house via a two level glass-walled walkway. This building
does not form part of the registration.
Why is it significant?
St Hilda's is architecturally significant as a fine example of the Arts
and Crafts style of architecture. Its picturesque approach is a
variation of the so-called Queen Anne style, which was dominated by red
brick, terracotta and asymmetrical planning. Additionally, in the
execution of detail, the design draws on the influence of Art-Nouveau.
It is significant for its essentially intact interior, including both
layout and fittings. The timber wainscotting, the robust pressed metal
dado in the dining room and the coloured leadlight glass representation
of plants and foliage contribute to an impressive and highly intact Arts
& Crafts interior.
St Hilda's is historically significant both within the history of the
Church of England and within the context of female employment at the
turn of the twentieth century. As a training home for missionaries it
was one of the few places to provide vocational training for women.
Religion
Religious housing